100 days: 85-92
“Imagination will often carry us to worlds that never were. But without it we go nowhere..”
~ Carl Sagan.
100 doodles from 100 photos in my phone.
This is the last but one week of my extended summer project, the last steps of a marathon. I have mixed feelings about it ending – I’ll be glad in a way – as all challenges need to come to a close. But as it’s become a part of my daily habits it will leave a gap. Already I’m looking forward to the next projects that will fill the void. I’ve been eying up new sketchbooks online…
Meanwhile, the story continues:
As this project moves on I’m exploring more than just straight drawing from photos. By playing with scale, finding a detail I like, making a drawing more than just copying some shapes. As the days and the pages mount up I’m looking for more challenges.
Have you ever done something like this project? I’d love to hear what you learned in the process.
There’s looking at a thing, then there’s looking with a view to drawing a thing.And then there’s the kind of looking while drawing a thing. And there’s a subtle, but big difference.
In redrawing this illustration of a duck I noticed it was made up of things. But until I came to draw it, I didn’t see that that thing that made it’s head was a tomato. Or the thing that made it’s eye was a spider. (Not really, but that’s what it looked like as I drew it)
This will stay with me every time I see a duck now. And every time I see a tomato. Just one example of how drawing enriches the everyday things in life.
I saw this poster outside an exhibition I didn’t go in to see, by fashion designer Mary Katranzou. All sorts of metaphors here: emptiness – butterflies – blindness – you make your own story up. For me on that day it stood for the empty vagueness I’ve still got lingering after being sick, a sense of merging invisibly into the background. I feel like I’m here, but not entirely. The parameters are visible, the boundaries still in place, but the essence isn’t showing through like normal.
I’m trying as many techniques and styles as I can find and remember though this project. Today we have a blind contour drawing. I figured as faces and hands are the trickiest things to draw, how much harder can it be to draw without looking?
(not so much, as it turns out)
Today’s drawing is from an 18th century Indian shadow puppet in the Brighton Museum. Oh those eyes!!
It’s all about nuance in capturing a face. The angle and weight of the line can totally change the expression and the character. And the species too, sometimes. Today’s curious beast looks like a dog in my drawing but the photo is more furious sheep (I think – can’t be certain.)
Anything orange makes me happy so this time of year is one of my faves. These jellyfish are everywhere in October 😉
One of the tricks to drawing I’ve discovered is not to be deterred by images that are way too complicated to accurately capture. Because accurate capture is what the camera is for. This thinking really takes away the pressure; it doesn’t matter if the proportions are skewed, the bits don’t line up, the missed details, the shapes and shadows that aren’t as they are in real life. Once those expectations are set aside it’s much easier to get on with the actual drawing. And that’s how the practice gets done.
Join me back here next week (-ish) for the final exciting instalment!
If you missed the previous parts, you can find them here:
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