TWELVTY Q&A


Still wondering if TWELVTY is for you? 

Not sure what TWELVTY is all about?

Read on…!

Q.  How long is the program & how much time will I need?

A.  TWELVTY runs from January through December 2017. Each month is dedicated to a single color.

How much time is your call, some months & colors will feel more inspiring and some months you’ll be more occupied in life. That’s how it goes 😉 It’s yours to fit in as it suits you – one month can blend into another like one color blends into another! 

The content for each month will take maybe an hour or two to read through, watch and absorb.

The material is full of prompts & inspiration more than tasks & homework – this is a resource you get to keep forever and can return to as often as you like, feeding it into your existing creative practice.

The online forum will run all year and be there to dip in and out of as you choose.

I will pop by the Facebook group at least 3 or 4 times a week, and you can email or message any time with questions. I aim to get back to you within 48  hours (usually much quicker!)

Q.   I only like *a specific color* – can I join for just that month?

A.  TWELVTY is about diving deep into the whole color wheel. I’ll be focusing in on a single color each month, but the real value is seeing each segment in the context of the whole.  If there are some colors you don’t much care for, then it’s only a month until we move on! And you might be surprised how much you find you like other colors when you explore them!

Q.   Can I join any time in the year?

A.   Because of the volume of content the doors to TWELVTY will close to new members at the end of February. If you join after January you will have immediate access to all the material up to the date you join.

Q.   What kind of content will there be & how often?

A.   At the start of every month I’ll send you a 15-20 page fully illustrated ebook  with loads of information about the month’s color. Something different each month to keep it inspiring from design, art through the ages, fashion,  color in nature, associations and meanings connected with the color, historical and cultural links around the world …loads of resources to follow up further if something really grabs your attention.

PLUS I’ll send you a weekly newsletter where I share videos & posts about my process as I work with the month’s color.

Q.   I’m a *specific kind of artist* is TWELVTY suitable for me?

A.   The program is adaptable to any medium, as the common link is color. Already we have a range of creatives including a writer and a weaver – so there are no limits on how color can be used to inspire!

I work mostly in mixed media and textile art, but every member of the tribe will bring something unique to the group, so the more diverse the group, the more inspiration we’ll be able to share together – I’m really excited to see what the group brings! 

Q.  How does the TWELVTY forum work?

A.   The forum is a private Facebook group for just the members of TWELVTY 2017 to share images of art they make and information they wish to share with the group. If you’d like to collaborate with someone in the group this is a great place to begin! When you sign up I’ll send you the link so we can add you to the group. 

Each month/color has its own Pinterest board where links to color related articles & such-like shared on the Facebook forum can be mirrored to build an online collection of resources color by color.

Q.   What materials and art supplies will I need?

A.   Part of the challenge of working in one color & restricting your palette so your imagination gets stretched. Less really is more in this case! So unless you’re asking for a reason to go shopping, you can probably use what you already have! 😉

That said, how you choose to take TWELVTY into your practice is a personal choice. 

Ideas for series you might want to play with:

Photography: each month’s color in nature, urban landscape, people and animals, fashion, architecture…

Painting (watercolor, acrylic, oil, pastels, digital art…):  each month’s color in portraits, landscapes, abstracts… One big painting or a series of small ones each month… One BIG canvas divided in 12 that you work on through the year…

Art Journalling: each month’s color for page backgrounds – painted, printed, collaged, mixed media techniques. Journal about how the color makes you feel, connections it has in your life, memories it conjures up. Find quotes and poems and inspiring words to add.

Textile Art (Sewing, knitting, quilting, weaving, embroidery, patchwork…): A piece each month in each color that can be combined at the end of the year… A fabulously colorful garment or large work you add to through the year…

Poetry, Prose, Word Art: Take the information on each color to inspire your writing, develop a character, set a scene, describe an atmosphere… Maybe set a weekly/monthly word count target for each color. Decorate your writing with the color to fully embody it.

Video, Film, Vlogging: Find ways to bring the month’s color into your scene, discuss what the color means to you, where you find it, take us on a journey to seek it out! 

Incorporate the color in your life: Not a creative practice, per se, but keep the color in your awareness by keeping something with you: maybe an item of clothing or piece of jewellery, or something small like a badge or pin you can wear through the month.

Maybe set the wallpaper on your phone or laptop to the month’s color, or an image you love in that color. A little reminder your subconscious will notice long after you forget it’s there!

Or how about a note to yourself, an affirmation, a quote, written in/on that color to keep in your pocket or wallet, or somewhere you’ll see it everyday like a bedside table or on the fridge or mirror…

What else? Let me know! Let’s jump into 2017 and bring the color alive!

Want more color inspiration? get my Year full of Color ebook:

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Be well, my friends, Much love to you all X

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(Your email is absolutely safe with me, I’ll just pop by and check up on it time to time, feed it biscuits, plump up its cushions, that sort of thing.)

the ‘because’ of art journaling


 

I’ve got old journals – the ‘dear diary’ variety – dating back over decades. Of no interest to anyone but occasionally me, I see what me-in-the-past was up to on this day however-many years ago.

At art school I began to keep sketchbooks, filled it with thoughts and plans, doodles and scraps. Mainly visual references and test grounds for techniques and materials. And they’re as rich in memories to me as the purely wordy versions that preceded them.

Last year I experimented with Julia Cameron’s morning pages in an on-again/off-again fashion. Not every morning has the space to accommodate all those words, but a bigger block is that part of me resented the paper it required for long, one-way streams of consciousness that I shouldn’t want to revisit. And the thought of scrawling longhand every last niggle and fuss didn’t sit comfortably either. I get the ‘better out than in’ motive. But I didn’t want to hold volumes of this in my life thought; that seemed to be merely displacing it from my head to another place of permanence.

 

Three things about things I do in books.
Without much connection beyond my voracious consumption of stationery.

Until I read this blog post by Deanna Jinjoe where she speaks of the power of transformation in burying words, thoughts, sentiments into the soul of our art we can transform them into a new beauty.

So the art journal I’m working through now is starting to embody this essence. With traces of the therapeutic brain dumps that keep my mind clear, intertwined with the doodles and splatterings of colour that keep my spirit buoyant.

Book of my days


I’m making a journal for the new year, which as the Solstice starts a new moon too, I began from it then. I’m enjoying the making process, and it’s another invented as it goes along adventure. And like all the rest of them, it’s a work in progress that isn’t exactly finished (the making stage) before beginning (the using stage). Kinda overlapped.

Over the years I’ve used regular diaries, journals, notebooks, sketchbooks, heaps of loose paper and the backs of envelopes to record the events, the thoughts and feelings, the minutiae, that collectively forms my days. On assessing the amount of rescued and recycled paper I’ve amassed, this time I decided to make my own book. I was surprised how easy it turned out to be. If you’ve ever considered doing this, here’s how I did mine…

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Obsolete letterheads, beheaded.


Here’s a thing about shop bought books – you wanna stick in new bits and pages, lists and the like, scrips and scraps and souvenirs and reminders. So either you gotta make space by extracting some of the pages it was bought with often leaving the binding loose and flimsy or severed and prone to accidental page-drop…. Or you live with a bulging wedge shaped book that won’t shut flat. Which is fine, in both cases, absolutely fine.

But if it’s a book of my own inventing… can I bypass that whole thing?

This fitted with the predicament of using recycled letterheads: once the letterheaded part was sliced off, the resulting folded in half size makes for fairly small pages. Not so compatible with big loopy writing that makes up words who need space to play in. So here comes the multipurpose wide page/thin page idea!

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I’m thinking the thin pages will be ideal for post it notes and small folded pages to be stuck in. And they are list shaped too and I love a good list! Consequently my book is starting it in the reverse wedge shape and will, in time, plump out into a flat book shape.


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The actual binding part (this is Coptic, but there are numerous ways to string a book here). My teacher is Sea Lemon. She is very neat and precise and I am not, so please don’t judge her instruction by my results! I looked at a few how to videos and found hers the simplest to follow. Then went ahead, broke all the rules, and did my own thing loosely based on this technique. People fall into two camps: those who embrace the slapdash yet sturdy approach and those who wince at the evidently hand cobbled outcome. If you fall into the latter camp, brace yourself, or click away now.


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measured, templated, holes completely off the line. idk. Accuracy just isn’t in my DNA. And wonky works too.


The paper is neatly cut to size approximately and the stringing holes were measured. Perhaps not really accurately. The knots are good and knotty.


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Not beautiful, but workable. I’ll settle for that. Neatfreaks: please Tut now.


I guess my reasons for sharing the guts of this cobbled affair with you is to say – If you’re at all interested in converting a pile of unwanted paper into a book you can use for whatever you fancy – scrap booking, journaling, some form of record keeping or and fancy schmancy writing and drawing doings – then even if you’re a careless, cack-handed hurrier like me – it can be done! Go and give it a whizz. If it doesn’t work…? well if the paper was already destined for the recycling box then you only postponed its destiny, used up a little but of time and in all likelihood learnt some useful life lessons along the way.

 

wishful painting


the wish book continues
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the modelling paste and stencil thing has been a recent obsession so my pages are getting lumpier, but in a pleasingly ordered, symmetrical way!
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Mmmmm, snippy paper bits too. Lots of them.
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and as though to reiterate.
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(Yes, that H does look upsidedown, I thought that too)

all things reddish


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all about the yellow


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time marches forward


I was away for a couple of days, but the page a day project ticks along!

Friday’s page is here….


Being fascinated by mechanics, numbers and time, clocks are a constant source of interest to me.

Over the years I’ve often incorporated clock faces in art, and I thought it was about time I had one in this series 😉

I like the regularly spaced hour long segments, contrasting the unequally balanced chunks of time into which we split our days

An hour spent waiting in traffic is so much longer than an hour spent in the company of ppl we love. An hour of sleep is not the same size of time as an hour at work…

……………I’ll catch you up with the others in a bit 🙂

continuing the journey


Day 33. Water colors and inks, I like the dreamily muted colors, and again the upside/downside number thing.

Day 34 Doodles run free. This is the kinda page that I could keep on adding to but think I’ll leave it here for now.

Day 35. This is the kinda page that I did keep on adding to! Starting with that stencil again then with layers and layers of cut out scraps in a similar wavy spiral way.

Day 36 is a turning point, toward the original idea that each page would contain something of the feel of that day. This day I spent up in London with my friend, and bits and bobs from the day nestle amongst the usual doodles and collage.

Symbolic of so much, this getting back on track falls just 5 pages from the end of this book! But, as one book closes…

the what and the why of ‘a page a day’


When I began this project (a month ago today) I had no idea how long I’d stick with it. Or how easy/difficult, much fun/much of a slog, it would become.
Or for what reason I wanted to do it.

But I did want to.

So I began.

A Page A Day, the project.

Ingredients:

  • New A3 sketchbook
  • All my paints, pens, inks, dyes, brushes, forks and sticks… if it makes a mark, it can join the game
  • This blog. To record and evaluate, to review and assess, keep track in a different medium of unfolding development. Regularly (I thought maybe daily, yeh…)
  • A spare 1/2 hour or so each day to fill that day’s page

That’s it, no rules.

Just one page at a time. One day at a time
(With maybe a little to-ing and fro-ing in between, but with the majority of today’s page being created today.)
Day 1, Page 1

Day 1: 16 March 2012. A Friday.
Home from work with the whole evening set aside to arty things, with the possibility to spill out over the weekend.

And wow did it spill! Everyday is painted, collaged, drawn on, doodled on, written on; dripped, splished and splatted on.

(I’ve posted previous pages if you’re interested here, here, here. And here n here!)

There are days that I’m more pleased with the result than others, but isn’t that a metaphor! If I find something really wanting on a page I’ll go back and add it. Using my sketchbook as a work surface (no drips of color go to waste in my world!) means some ‘new’ pages will begin with splishes and spills of color. S’okay.

Today ‘s page looks a lot like a page with inky paper towels stuck to it.


That’s cool. Cos I’m not so interested in what the page as a whole looks like.


These are the bits I like.

The miniature landscapes,

The inter-mingling of inks and dyes,

The light and the shade cast by wrinkles and dimples.