If you’ve been here before, you’ll know that lately I’ve been documenting my art journaling process through a series of time lapse videos.
It’s curious to relive a visual journey. There’s nothing like filming the process to relive the ‘why did I do that?’ moments. These came up a lot early on but I’m noticing a desensitising effect with practice, and letting go of expectations. Process is process.
Nonetheless, the push and pull of loving/hating the direction it’s taking remains real. It took a really long time for me to catch on where this one wanted me to lead it.
This video is a compilation of little time lapse videos taken over a few weeks of back-and-forth-ing on this spread.
The more time I spend in art making, the more I find parallels between a creative practice and all the other everyday-everythings. Seems to me, how we make tends to mirror how we live – bravely – messily – stubbornly – inconsistently… all of these are here!
Releasing the butterfly
This particular spread got so sticky because I reeeally didn’t want to lose that butterfly. I painted and drew around him until I had such a mess there was no other option, ultimately burying him under a new layer of paint to ease the intensity of so much going on. I was resisting letting go.
I’ll post the next in this series soon. To catch it ahead of everyone else + get monthly-ish updates on my other colorful studio antics, join up for my newsletter here.
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I’ve been off line for a while, playing in the analogue world of paint and scribbles and little bits of torn up paper. Recharging & recombobulating. Playing with things like this.
This book lived on my desk through the first half of this year. Over the weeks and months it grew fat and messy with ‘while I’m waiting’ doodles, with mopped up paint spills, scraps of stuff, with the words and ideas that were orbiting my mind.
When it was all done, I made this quick flip thro vid:
And when I say quick, I know it’s super quick. So here’s a more leisurely stroll through some of the pages, and some of the ideas that keep rolling back into my art.
Stories unfold from the words I’m listening to in audio books and podcasts, and the characters evolve from magazine pages, advertisements and found paper.
Lines of text set against rows or polkadots, knitted together with scribbly handwriting. Faces in the spaces.
Backgrounds from maps: borrow the contour lines, take them off wandering into new places.
Cut out shapes from scrap paper.
Add eyes and whiskers: see them come to life.
Writing down the words I heard and want to remember later.
I leave notes and messages for me-in-the-future scattered through my art.
“There’s a reason why we get the ideas we get.” (so it’s important to put them someplace safe until they’re ready to use)
Then there’s the found poetry from song lyrics, Inertia blue zero freeze. (idk)
Dotted lines around the edges make me happy: as any small child will tell you, they’re really fun to do. Especially in time to music.
Texture in sticky thick paint, like tree branches or arteries, reminds me art is alive and part of nature. And vice versa.
Messing about with perspective with angles and lines. Inventing new people. Anything’s possible in a book.
These words were pinned to my wall of ideas, making space for new things, now they’re rehomed in the book. Keep things you love in sight, always.
Negative space: white paint dampens the cacophony of color.
If you find yourself in Brooklyn, you can see this IRL shelved at the address: 348.59-2 in the Art Library There’s a digitized version to see on their site too.
If you’d like to be first to see what I’m making and doing you’ll wanna catch my newsletters. I send these out once or twice a month with exclusive previews of my artings + links to all that I’m currently enjoying in the interwebs. Hop aboard here!
(Join up in June to snap up a massivenormous bargain in my Etsy Shop so I can make space for more new goodies coming soon)
It’s been a while since I checked in with you guys on this project, I’ve had to overcome a few obstacles along the way.
I had a really clear idea what I wanted to do with this book from (almost) the outset last year – a rambling whirl of doodles, a stream of consciousness running through the pages. Then I got ill, and the heavy duty pain medication I had in hospital inspired me with a really clear visual I wanted to recreate. As best I could, two-dimensionally on paper.
I began the line work back during Inktober, and looking back I remember at the time being aware of just how thin and flimsy the paper is in the book. I mean, super thin. It would hold up well to gentle care but I’m heavy handed and (because it’s all I had to hand and impatience is my biggest motivator in all I do) I used ballpoint pen. So my pages were already crinkling from the indentation of the lines.
That’s cool – it adds character – it’s my ‘style’ – go with it, I thought.
Then the holidays, then life, then I finally began.
Oh. My. Days!
You do NOT wanna use watercolors on this paper. Of course if I hadn’t been so hung up on the combination of:
This Sketchbook Project + These Colors + These Paints = Exactly What I Want To Do
then perhaps I wouldn’t have been temporarily blind the reality of:
This Medium + This Paper = A Certain Soggy Mess.
Ok, I’m an adaptable kinda person, I pride myself on being able to change direction, to adjust and adapt.
Acrylics, I thought. Acrylics are the answer. They will sit on top of the paper and give it a bit more substance as well.
Nope. Not only is it a streaky mess, but the pages are actually curling up in disgust.
What do they want from me? light, delicate pencil? Do they know me AT ALL??
I heard a distant memory jangling about in the back of my mind – are there rules on what media we’re to use? – checking the website: sure, acrylics & gesso are discouraged because the pages get sticky and … yes, yes, I know all this…
So, my first plan of watercolor was back on the table – because, when I read on – we are allowed to rebind the book. I can use actual watercolor paper!
Now that time was getting squeezed, that forever-away-distant deadline was getting closer… I decided that keeping it simple was the best way forward. The elaborate plans I had to begin are on hold for a separate project later in the year, meanwhile I’m back with what I know best for the pages of this book: the idea that is fuelling my creativity and has done for a long while now: an adventure in 12 colors!
After all, it’s my thing, right?
My pages are complete and ready for binding, I’ll show the finished book as soon as I get some good light for photos – then it’ll be winging it’s way off to Brooklyn Art Library
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Just £97 for a whole year of color (or 3 instalments of £33)
I’ve worked my socks off to make this program as fabulous and fun as I can, and I’m really proud of how it’s come together.
So much so, if you don’t think you’re getting value for money by the end of the first color segment, you can have your money back in full without a single quibble. Srsly, not even a little one!!
Join me and a group of wonderful creative spirits to share this adventure in color ——-Y’know over half of the 2017 group are returning for a second trip around the color wheel (some signed up before we’d even finished last year!)
I’ve even reduced the price, to make it accessible for everyone there’s the option to pay in 3 instalments.
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TWELVTY is adventure you can join too.
By exploring the color wheel and each of the 12 colors, I share my creative process plus a feast of resources about color I’ve collected for you.
You’ll learn about the history of how color has been used, not just by artists, but as part of different cultures around the world. You’ll discover the meanings linked to the colors, how there are connections through the ages and around the world.
There are even playlists of songs and music relating to each of the colors! (I said it was thorough, right?)
In 2018 I’m introducing a new element to TWELVTY – a shared creative project that we’ll work on together as we traverse the color wheel.