adventures in color: ingredients


In response to the feed back on my paper dying project, thought I’d share some inspiration and some of my fave ingredients if you’re interested in doing something similar.

Firstly I must introduce you to an artist I find enormously inspirational, Ruth Issett.

Ruth has authored several books of mouth-wateringly delicious adventure in color and frequently runs courses and workshops.

Take a peak at her Glorious Papers: Techniques for Applying Colour to Paper – this is one of my fave books to set ideas flowing.

Dyes

For real vibrant colors, both for fabric and paper, I use Procion dyes. These are available at some art/craft stores, or the trusty shop that sells most everything.
The dye powder needs to mixed with water, and the colors blend beautifully. If you’re using them for paper there’s no need to use any fixative, just treat them like an ink.

Inks

I also love to use Brusho inks. Again these come in powder form to be mixed with water.
If you sprinkle the dry powder (a little goes a long way) on damp paper you can get some fabulous starburst effects and color separation from the individual hues of pigments . Try it and find out!



Then there’s the Ranger Adirondack Color Wash sprays.
These can be used on fabrics too if heat set with an iron.
Ready mixed, these come in spray bottles.



Dr P H Martin’s Bombay ink.

Having picked up a bottle of this at my local art shop, in a fit of extravagance I got myself both full sets of 12 colors and have to say it was a great investment.

They come in dropper bottles, perfect for dripping onto paper!

The colors are vibrant and strong, so again you don’t need to use loads, and a bottle lasts a long time.

Paints

Koh-I-Noor paints are fab for several reasons.

The colors are rich and intense dye-based paints which come as 4 stackable palettes. The middle bit of each palette, along with the lid, can be used for water or mixing shades, and they are perfect if you want to take your colors out and about with you.

NB Koh-I-Noor also make stackable palette sets like this with regular watercolor – this is the one in the illustration. The ones I use are the intense dark dye based ones. Check out the comparison of colors here. Read more about playing with these here



I hope you’ve found this interesting/useful and it may have sparked some ideas for you. Til next time, happy creating, folks! πŸ˜€

running with color


As the book of daily doodles progresses, it must be time for another catch up…

As the days and the pages go by I’m seeing how there’s so much more to this project than I ever expected. And I’m not even 3 weeks in!

This page was play with acrylic tar gel and inks. The ugly scratchiness and clogs in places are more than outweighed by the fun in doing this and the lessons learned.

Dr PH Martin’s Inks have a delicious gloop to them. They make for good splotting and over-printing with a wooden print block. Adirondack dye ink spray has a fine mist sometimes a little spitty. Inky mist, spit and splot are the essence of this page.

Not truly done justice in the photos, but the effect of dripping the Dr Martin’s inks and swishing with a sponge when a little bit dried was too fluffy and gentle to draw over.

So instead, I drew around it

From humble beginnings, a new character is born. This page is seen through Eyebird View πŸ™‚